Rama Duwaji

I met the wonderful Syrian illustrator, Rama Duwaji, after a long Ramadan day at a cafe in Dubai over some Arabic coffee and strawberry sorbet. I saw Rama’s work serendipitously on Instagram (how life works these days) as she was posting snippets from her upcoming graphic novel “Razor Burn”, a culmination to one of her classes at Virginia Commonwealth University. Lucky for us, her project received a grant to be published! Yay!

I hope you enjoy our conversation below! You can follow Rama @ramaduwaji to see more of her work and creative journey.

IMG_2920-1.jpg

How long have you been making art, or as you say “art-ing” ?

I think I considered myself to be an active artist once I changed the purpose of my social media account into one specifically dedicated to my art. I stopped posting random things and used it as a platform to showcase my work. I would say this was about a year and a half ago where I made it my new year’s resolution to start taking my art more seriously and to put it out there.

IMG_2918.jpg

How did social media help with your creativity and production?

There were artists on Instagram that I really admired so I would talk to them and they would see my work. It created a community to talk to other artists and people who were like me. Other than my closest friends, I wasn’t really surrounded by many people who were super motivated in creating art.

Where did/are you studying?

I initially wanted to study in America, but then decided to be closer to my family. I started university in Qatar where they have a special program dedicated to the arts, and then transferred to their branch in Richmond VA after a year.

How has your experience been living in the states?

I like the independence and my alone time. It’s very important to me. Having my little house, and my little plants, and eating my little food, and making my little art, and having my own life. I really enjoy that. I like Richmond. There isn’t really much going on there but I’m not very outgoing or a party person so it’s fine for me.

Where is your favorite place to work from?

I want to say my desk, like every professional artist should, but I’m not really a professional artist yet so truth is I like to work on the floor with my papers and tablet spread out in front of me.

Tell me a little about your art and art-making process…

As a child I always had a sketchbook. Looking back at it, it’s the worst art I have ever seen in my life *giggles*, but I really admire my past and little me in continuing to have a sketchbook. I barely have any patience now. Since I was young, like back in high school and middle school, it was always pen on paper. I don’t know where my love for drawing portraits came from but if you go back to my early posts you will see a bunch of faces, which also makes me wonder whether I have evolved as an artist and a person...I hope I did! I still do work in a sketchbook, but when It comes to making final pieces, especially in university, it’s super convenient for me to work on my iPad. I still don’t want to fully admit that a lot of my art is all digital and I like my work to have the aesthetics of pen on paper.

What inspires you?

I get really excited and ready to draw when I see a distinct and interesting face. Whether it’s in real life or in a movie or a photo, some people’s features are just begging to be drawn and it makes my hand itch for a pen and paper!

What other interests do you have?

I’ve recently been interested in animation and it’s different forms. Its definitely a new art form with its own set of rules, so it’ll be fun to see how that works with my existing art. As for non art related interests, some good Solange and yoga is always the ideal relaxing activity.

IMG_2916.jpg

And now about your book! The first time I saw the panel you posted on Instagram with the girls holding up the tip of their noses to see how they would look like with smaller ones, I was like, that’s me! I have been there!

It actually pisses me off talking about it *giggles* because everyone who talks to me about it says how relatable it is and I’m just like, it’s cool, but I so wish it wasn’t something that so many girls go through.

Its like an ongoing theme in my life and my friends’s lives. One of my best friends who is Afghani was always complaining about her nose and we were talking about it one day and she was telling me a childhood anecdote about struggling with her appearance, and I told her I went through something very similar. The more we started talking about these shared struggles with friends during our adolescence, the more I realized that many of us had very similar experiences. It’s such a critical age and it can really shape how you think about yourself.

This led me to think of a way I could possibly propose some kind of change through my art, so I decided to make a graphic novel for young teens. Something that would be relatable and accessible to them.

IMG_2911.jpg

What to expect in “Razor Burn”?

It’s basically about a girl going through puberty and experiencing life in high school amongst her peers. It’s not supposed to be in a particular place, however her classmates are mostly depicted as white, so you can take that however you want. It’s never specified where she is or where she’s from. I would say she is racially ambiguous, but mostly a brown girl.That’s why I also made it wordless because I wanted the language to be universal. I take you through her “getting ready” scene which evolves into some kind of toxic self-scrutiny with regards to how she sees herself. You see her going to school around her peers and constantly comparing herself and dealing with anxiety and body dysmorphia.

I didn’t want to make it outright about bullying and peer pressure. It was more about her looking at other people and feeling like she should look like them, rather than like oh they are talking about me. The focus of this was all about her own mental health and looking outward.

I didn’t include the family part because it was a larger discussion and I was limited to a certain amount of pages. But I think that is what I want to do next since it’s such a powerful force that can really mess up with your head.

What do you hope to achieve with your book and your illustrations?  

My hopes are for young readers to see a little character that looks like them. Even though they might not have gone through all of what she’s gone through, I hope that it will open up their eyes to things that are happening around them. I hope for more representation and addressing topics about self awareness.

Any last words for other emerging artists or people who are just embarking on their art journey?

It’s easy to get distracted and sometimes you just don’t feel like making art. I like to always be productive so its frustrating when you kind of have a block but… just keep swimming. I don’t think you should be scared to pick up a pencil, I feel like your creative juices are just there and once you pick up a pencil they will start bubbling all over you. And it will be great!



Alemeh Bagherian

 
alemeh.png

Alemeh Bagherian is an Iranian artist and mother, living and working in Iran. She has a BA in Carpet Design and a Masters in Painting. Alemeh has participated in many group exhibitions, international fairs, auctions, and has had solo exhibitions since 2011. I happened to discover Alemeh's work while browsing Seyhoon Art Gallery's Instagram page. I was totally enthralled and blown away by her colorful, bold, and mesmerizing work. I am so happy and  thrilled to have her as my first guest on Tavān Studio. Enjoy! 

 

How did your style come to existence?

It took me many years of trial and error to reach this personal style of art and subject matter. Constant practice, persistence, and trial and error is a path that all artists are on. It's a path that I am on and will continue to be on in order to experience new things and ideas.

What do you think of the art scene in Iran now? Tell us about your exhibition experiences.

In Iran, with all the growth and progress, art is continuously flourishing and evolving. But I think there should be more recognition and attention from the public institutions rather than private support. I think there should be more governmental support of the arts.

Artists can gain a lot of knowledge and experience from participating in group shows and even more so through solo exhibitions. All aspects such as learning how to write your statement, when to exhibit, networking, are all of great value. Having your work in established galleries also really helps to further your career as an artist. Thankfully after several group and solo exhibitions in various galleries, I was able to exhibit at my favorite space, Seyhoon Art Gallery, which has supported me and my work.  

Do you think art can change the world?

Art is a reflection of life throughout history, of the dark and light, a reflection of culture and the traditions, of societies,  and the vast skills of humans throughout time. For sure it has changed the world and will continue to do so.

Was your family supportive of you being an artist?

My family, specifically my husband, were the main cheerleaders and supporters of my work.  

Are your friends artists as well?

The majority of my friends are artists due to our common artistic nature and similarities. I prefer to surround myself and have relationships with people who are lovers of art.

Are you more of an introvert or an extrovert?

I am definitely an introvert. I’ve had this introverted characteristic ever since I understood and developed an awareness of myself.

 If you weren’t an artist what would you be?

If I weren’t a painter, I would have been a writer. And if I weren’t an artist…I really don’t know what I would be. But I don’t even like to let the idea of not being an artist and creating art cross my mind.

Where is your most favorite place to think?

My favorite place would be by the ocean, or amongst trees in a forest.

 

What do you use as inspiration? Tell us more about your paintings.

There are many things I can get inspiration from, a story, a photograph. But something that has really been a major advantage, is my creative imagination. Spending a lot of time thinking and imagining have been part of my personality since childhood. In my work, I combine the female figure with traditional Persian designs and miniature paintings. The female figure, will always exist and be the main and central inspiration of my work. These figures have a lot to say, things that are difficult to actually say, but maybe at least they will trigger something in the viewers mind and feelings.

Traditional Persian designs and miniatures are also a major source of my inspiration. They describe a fantastical and metaphysical world, something beyond this limited and finite world we live in. It has so much depth and meaning, beautifully blending itself with all aspects of the Persian culture. I feel like when these images and designs are used in a painting, they elevate the art, giving it a grandness and adding further layers of depth, meaning, and story. I think they should be more recognized and appreciated. They are very inspiring to me.

Do you speak through your work? What stories are you telling?

Rather than explaining or writing about it, I like my work to speak for itself. I think that if you create something really well, the work will speak beyond what the artist had intended.  I would really love for the viewer to understand and describe the work from their own view and perspective, but in general, the overarching message that I am suggesting through my work is the message of freedom, of being human, of the mysteriousness of being a woman and of womanhood.  It speaks of the bravery and determination of woman, and their courageousness that has existed throughout history and continues to exist. I am trying to portray the telling of this inner beauty, the courage and fearlessness of Iranian women.  The title of my previous series was “ the women of peace”, which is a title that I can assign to all of my drawings. This idea of a peaceful and safe world rather than one filled with war, are the dreams and inspirations of my drawings. 

What would you like  to say to other female artists ?

As a female artist, I would like all the female artists in Iran and in the Middle East and beyond to work with courage and persistence, and to be successful in reaching their personal goals.


 This interview has been translated into English from Farsi.

To see more of Alemeh's work visit her Instagram page @alemeh_bagherian